A newspaper article from The Star Ledger about Superior Court Judge Theodore Appleby ordering defense consultants, the National Jury Project, to stop making calls and contact related to the trial of Assata Shakur (JoAnne Chesimard) for the 1973 killing of a state trooper. Appleby said that the calls were approaching obstruction of justice.
Judge Houston Patton started with Child Development Group of Mississippi (CDGM) in 1965 as a Head Start administrator for Hinds, Madison, and Rankin counties in Mississippi. After attending law school, he worked from 1972 until 1979 with Head Start Legal Services in Jackson. He talks about these jobs including meetings, budgets, and personnel.
A newspaper article from The News Tribune about a day long juryless court session where defense lawyers made numerous motions to dismiss the indictments against Assata Shakur (JoAnne Chesimard) who was on trial for the 1973 killing of a state trooper. The judge rejected these motions and the attorneys are scheduled to call witnesses that day.
An article from The News Tribune about the question of Friday recesses asked for by the defense because of the Muslim faith of Assata Shakur (JoAnne Chesimard), who was on trial for the 1973 killing of a state trooper. The question has been a feature of the trial and the defense, prosecution, and judge continue to argue over it.
Lloyd’s scene closely focuses on three faces wracked with strong feelings. In the foreground, an angry man reaches out, while the middle figure turns completely inward, and the far right figure is deep in thought. These emotions are heightened by the dark hues in the composition.
Ms. Young worked at Smith Robertson School as a teacher and secretary for the principal from 1951 until the school’s closing in 1971. She talks about her time at the Smith Robertson School as a secretary and teacher and discusses how the property around the school had a negative effect on it.
Julius Rosenwald was the part-owner of Sears, Roebuck and Company and the creator of the Rosenwald Fund, which donated millions in matching funds for vocational and technical education specifically for Negroes or white Southerners specialized to the South. Under William H. Gray, Jr.’s leadership. Florida A&M received scholarships from them.
A letter from New Afrikan Women’s Organization (NAWO) leadership to Ibidun Sundiata (aka Dorothy Morrow) inquiring about her sudden resignation from the organization. Ibidun Sundiata was a well-respected and regarded activist and the members of the NAWO want clarification on why she resigned without a conversation with the group.
An article from the Asbury Park Press about the trial of Assata Shakur (JoAnne Chesimard) for the 1973 killing of a state trooper. Jury selection continued as prosecutors awaited ruling on their appeal of suspended court sessions, granted by a federal appeals court panel in respect to the defendant's Muslim faith.
A newspaper article from The Daily News about items entered into evidence by the prosecution in the Assata Shakur (JoAnne Chesimard) trial for the 1973 killing of a state trooper. The slain trooper’s bloodied uniform shirt was submitted into evidence, as well as bullet fragments pulled from the body, and empty shell casings.
A newspaper article from The News Tribune about defense attorneys for Assata Shakur (JoAnne Chesimard), who was on trial for the 1973 killing of a state trooper, filing a complaint claiming that the jury selection in her murder trial is biased toward the prosecution. Shakur was convicted in 1977 of the killing and escaped prison in 1979.
A newspaper article from The Black Panther. It is a transcript of Kathleen Cleaver's speech at May Day (International Workers Day) on May 1, 1969 in San Francisco, California. Cleaver’s speech, like many of the speeches given that day, centered on the calls to Free Huey Newton from his arrest on murder charges on October 28, 1967.
Moses Adams Jr.'s sculpture depicts a kangaroo mother with human-like hands and breasts. The clasped hands under the open pouch signify protection. Detailed, oversized hands are characteristic of the work of John Biggers and his students. Additionally, mothers of various forms and species are a common subject of the student terracottas from Texas Southern University.
This is a brochure for Hall’s senior art exhibition. The culmination of the Texas Southern art curriculum is a senior exhibition where students showcase artwork created over the course of their undergraduate studies. The brochure features a photo of Hall, a brief biography, a catalog of the artwork featured in the exhibition, and a photo of one of his paintings. It is inscribed with a note from Hall.
Katherine Mosley moved to the Farish Street District in 1949. She recounts her time as a young person in the district, specifically the entertainment she enjoyed. Ms. Mosley also goes into detail about the decline of the district and lack of Black businesses and she gives her opinions about urban renewal on Farish Street.
A native of New Orleans, Green transferred to TSU’s art program following Hurricane Katrina. His mural ties different aspects of New Orleans history and culture together through floodwaters. Enslaved ancestors stand at auction, and the city skyline, including the Superdome, is featured prominently.
This is a brochure for Takahashi’s senior art exhibition. The culmination of the Texas Southern art curriculum is a senior exhibition where students showcase artwork created over the course of their undergraduate studies. The brochure features a brief biography, an artistic philosophy, a catalog of the artwork featured in the exhibition, exhibition viewing information, and three photos of her artwork.
This is a brochure for Perez’s senior art exhibition. The culmination of the Texas Southern art curriculum is a senior exhibition where students showcase artwork created over the course of their undergraduate studies. The brochure features a brief biography, a photograph of the artist, an artistic philosophy, a catalog of the artwork featured in the exhibition, and five photos of her artwork.
In this interview, Texas Southern art alumnus Kermit Oliver discusses his time at Texas Southern (1962-1967) and his artistic philosophy & practice with Dr. Alvia J. Wardlaw, director and curator of the University Museum. He highlights the religious, personal, historical, and political influences that shape his artwork.
Mills paints a compelling and complex commentary on violence against indigenous people in the United States. In the foreground, a lifeless indigenous person floats next to a wrecked canoe. In the center, a white woman prepares to fire a cannon, still smoking from its last round. Behind her, a stoic Black woman holds one white baby and shelters another white child within her cloak. In the background, a faceless indigenous person reaches towards the scene.
This painting shows children quarreling over a bicycle. The young boy in yellow is painted dramatically wailing, while the other child is portrayed from behind with a raised, balled fist. Dr. John Biggers encouraged Texas Southern student artists to create art based on what they saw. Scenes of children often appear in the permanent collection of TSU.
A copy of “The King Alfred Plan,” a fictional CIA-led scheme supporting an international effort to eliminate people of African descent, invented by author John A. Williams in his 1967 novel The Man Who Cried I Am. Copies of the plan circulated in Black communities during the late 1960s and early 1970s, with many people accepting it at face value.
Gladys Williams Renwick was a painter from St.Louis, MO. Kirks Mill is a watercolor painting of a rural neighborhood in Autumn. The painting features four homes of various sizes and colors. There are various trees in the background: some barren and others with orange and green leaves.
John T. Biggers was an educator, painter, and muralist from Gastonia, NC. Kneeling Figure is a sculpture of a nude man kneeling on his knees. His back is hunched over as he leans to the left with his hands resting on his left knee.
Alcee's mixed media painting, “Konga,” is a testament to music's power to uplift and excite. The artist draws inspiration from his experience working alongside Franck Kemkeng Noah, who taught him about the significance of Bamileke masks and symbols during a residency at TSU, and his St. Lucian heritage, shown in the vibrant colors and fluid movement of the piece. Alcee graduated from Texas Southern University is currently pursuing a teaching certification.
The Kouba masks showcase the rich artistic heritage of the African Kouba culture. Each mask features unique carvings and vibrant colors, reflecting the community's spiritual beliefs and social values. One mask may represent ancestral spirits, while the other might embody specific cultural ceremonies.
The Kouba mask, originating from the Congo, is a striking cultural artifact known for its intricate carvings and vibrant colors. It was traditionally used in rituals and ceremonies and represents ancestral spirits.
This drawing by Vernon Simmons depicts a kuduo, vessels owned by kings in Akan kingdoms (modern-day Ghana), adorned by tortoises, a sign of longevity. The central figure seated under the umbrella is the nana, a ruler of the Akan people; he is surrounded by attendants. Dr. Biggers was an avid collector of African art and he used pieces from his collection as teaching tools for his students.
A newspaper article from The Home News about arguing between chief defense counsel William Kunstler and Superior Court Judge Theodore Appleby in the trial of Assata Shakur (JoAnne Chesimard) for the 1973 killing of a state trooper. The argument centered on a citation given to Lennox Hinds, president of the National Conference of Black Lawyers.
