The St. Petersburg Times released this article on Florida A&M President Benjamin L. Perry as a profile feature piece. He vocalizes a resolute position on remaining autonomous and separate from neighboring, predominantly white institution, Florida State University, to fill “an educational gap” caused by “toleration rather than acceptance of blacks.”
A Tallahassee Democrat newspaper clipping talks about a tumultuous period of the university’s history. Faculty member numbers were down, state funding was reduced, and talks of a merger between FAMU and Florida State were redundant. Despite this, efforts for funding were achieved, as with the Kellogg Grant to FAMU’s School of Pharmacy.
This letter between former Florida A&M president William H. Gray, Jr. and former Florida A&M president Benjamin L. Perry – when Perry was still a first lieutenant – discusses curriculum changes to a Vocational Guidance Program for future returning veterans. Perry was the Assistant Advisor and was to be discharged soon with no set plans afterward.
Florida A&M University President Dr. Benjamin L. Perry made bold statements during the Governor’s conference on education opportunities for the disadvantaged. He claimed that the only way to bring more fruitful educational opportunities is to address the problem at its root: white attitudes toward minority education.
Joyce Warner, a 20-year-old junior at Florida A&M University, was crowned Miss Black Florida and represented the state at the Miss Black America Pageant at Madison Square Garden in New York. She won the title and is pictured here with Tallahsssee Governor Reubin Askew and FAMU President Dr. Benjamin L. Perry on her return home.
In a service of hymns, prayers, and reflection, Dr. Bernard Lafayette delivered a sermon on the biblical call to go the second mile, linking it to the Civil Rights Movement and emphasizing dignity, nonviolence, and transforming adversity into moral strength.
Bernard Thornton was born in 1908 in Natchez, Mississippi. He lived 53 of his 68 years in Jackson, Mississippi. The purpose of the interview was to learn information concerning the function of the Lynch Street C.M.E. Church in the community. Mr. Thornton talks about being a member of the church since 1925 and a trustee since 1945.
Bernice Jones (aka Safiya Bukhari) was a Black Panther Party member and vice president of the Republic of New Afrika. In this personal narrative, she tells her life story from the time of her birth in 1950 until her time in high school.
Texas Southern art alumnus Bertram (Bert) Samples is pictured here admiring his mural, which he painted on a first floor wall of Hannah Hall. Samples' mural shows the artist sleeping on his desk after his mother died, dreaming and remembering moments from his life. Samples went on to become one of the founders of Project Rowhouses, a Third Ward-based community art and social impact organization.
Samples’ painting is a self-portrait. During the elementary painting course, Texas Southern art majors are required to paint self-portraits. Samples’ classmates recall being intimidated and inspired by his talent and work pace when they sat next to him in the studio. Samples was one of the founders of Houston’s Project Row Houses and now works as an art conservator at the Museum of Fine Arts, Houston.
Samples’ senior notebook includes his written philosophy of art and photographs of the artist’s works. As a part of the Texas Southern art curriculum under Dr. John T. Biggers and Professor Carroll Harris Simms, students would create these notebooks to explain their artistry and showcase the works they created as students.
Bessie Funches began work as a teacher at the first Head Start in Gulfport, Mississippi (Harrison County Head Start) in 1966 and worked as a resource teacher for that summer. In 1973, Ms. Funches became Special Service Director of Harrison County Head Start. She talks about her experiences in the classrooms with the students and other workers.
Bessie Warren took a job in 1972 at Lift Incorporated Community Action Agency in Tupelo, Mississippi, where she worked as a rotating teacher’s assistant. Later, she became Head Start Educational Coordinator and Career Development Officer, positions she had held for 12 years up to the time of the interview.
Black Entertainment Television (BET) was the first cable network dedicated to African Americans. In February 1994, BET and the Young Sisters and Brothers Magazine hosted their first annual Campus Tour at Florida A&M University, with events on professional media opportunities and a special taping of “Rap City Live,” where OutKast performed.
Betty Gray was born in Jackson, Mississippi, in 1903. She remembers the "Good Old Days" as a child growing up in Jackson when school days, games, and family all made for pleasant times. She also talks about her memories of the Farish Street District as well as Emmett Till and Martin Luther King, Jr. The transcript is edited with handwritten notes.
This collection includes a pamphlet explaining the Bicentennial Restoration Project, an initiative undertaken by FAMU’s Black Church Restoration Committee to mend the Bethlehem Church, and a check. The last page of the pamphlet was photocopied and attached to a $10 donation check to the FAMU Foundation made by B. L. Perry, Jr. on November 2, 1976.
Remble's drawing portrays renowned Mardi Gras Indian chief David Montana. Mardi Gras Indians refers to Black New Orleanians who draw from Creole, Indigenous, African, and Afro-Caribbean tradition to develop a unique form of visual culture and resistance. Remble, a Texas Southern graduate, was born in New Orleans and later moved to Houston. In his own words, he aims to "explore and preserve the diverse subcultures of the American South" through his art.
This is a brochure for the April 2010 John T. Biggers Carroll Harris Simms Symposium On the Art of the African Diaspora: Building Upon Our Legacy. This regular event from the University Museum at Texas Southern brings together artists, historians, educators, students, alumni, and members of the public to celebrate the legacy of Biggers and Simms, who worked together to build TSU’s art department from the ground up.
A photograph of a billboard advertising the Smith Robertson Neighborhood Folklife Festival, April 9-11, 1983. The festival was a one-time grant sponsored event held on the grounds of the Smith Robertson Museum to celebrate the rich history and culture of the Farish Street Historic District.
Seven pages of typed biographical information on Monroe N. Work, with many edits written in pencil. Undated, but latest date listed is 1932. "For Miss [Jessie] Parkhurst" is written on one page.
Elizabeth Montgomery Shelton’s terracotta is made up of a variety of colored clays with embellishments that have been painted using black and tan slips. The top half includes layers of plates extending out from the surface, while the bottom half is evenly decorated with pressed circular clay. The structure perhaps mimics an instrument or a bird feeder.
This abstract work features three distorted cows’ faces that seem to be staring upwards and at the viewer, against a colorful triangular background. Vital was an art student at Texas Southern and later went on to become a faculty member in the art department. Many works in the school’s collection, particularly from the 1970s, use cubist styles.
White square button for the Birmingham, Alabama, 1963 Foot Soldiers Reunion. There is also text on the button that says: "Inspired by what we did for ourselves-and the world." The 1963 Foot Soldiers were children marchers in Birmingham who encountered police resistance in the form of water hoses, attack dogs, and arrests.
Burley’s vibrant mural explores cycles of life and focuses on women. The left conveys night and includes a female constellation. The right shows daytime, with plants and animals. A rainbow runs across, signifying unity. The large, detailed hand is a frequent motif in the art of Biggers’ students.
A birthday card from Ashanti Alston, a Black Liberation Army (BLA) member who was imprisoned for 11 years for a robbery to raise money for the BLA, to Frankye Adams-Johnson (Malika). Ashanti Alston wishes her a happy birthday and gives her an update on her birthday gift.
A birthday card from Nuh Abdul Qaiyum, who is imprisoned, to Sule for his 5th birthday. A photo of Malcolm X is on the cover. Nuh Abdul Qaiyum quotes Malcolm X and explains the importance of letting go of fear, ignorance, and oppression. He expresses disappointment that he is not free to wish Sule, “young Black warrior,” a happy birthday in person.
Erma Gordon’s “Bison” sculpture includes two-toned clay with a smooth finish on the body. The hair of the bison is carefully sculpted on the top of its body, lending a realistic, soft texture. The artist depicted herself creating this sculpture in her Hannah Hall mural. Wildlife are frequent subjects of TSU student terracottas.
This radiant work by Oliver Parson engulfs the viewer in the spiraling flow of a smiling woman's silky headwrap. The headwrap is a fashionable method of hair protection and expression of identity that is shared among women across the African diaspora.
Charles Clinton Spaulding, born in 1874, rose from a farm boy in North Carolina to leading the largest black insurance company, the North Carolina Mutual and Provident Association.
